Impact or consequence? No, though I suppose it's a variation on the Utopian dream of the lion lying down with the lamb. Might say it's a conflict story in that it's an *anti* conflict story.
Just very sweet with good visuals.
"The key skills of introductory journalism courses - research, critical thinking, organizing, and clear expression - are also the key skills that the university tries, but often fails, to teach all students as part of their liberal education. Indeed journalists have refined these skills to a much higher degree than have people in many other disciplines." Betty Medsger, Winds of Change
Wednesday, January 29, 2014
Thursday, November 08, 2012
Comment Assignment if You Lack an Idea for Your Own Blog
Comment on one of these ethical dilemmas
You are interviewing
· *
The longest surviving heart transplant patient
in the U.S. When talking about the disability pay he receives, he mentions he
does a little bookkeeping on the side the income from which he does not report.
· *
A beloved radio weatherman who is about to
retire and who mentions in passing he has a
Down’s Syndrome child and immediately says,
“Don’t print that.”
· *
The family of a teenager who has just died after
a long battle cancer whose mother says sorrowfully, “Noah died a virgin, and it
made him so sad.”
· *
A sex researcher who has done an extremely
popular book on various sexual matters who says – when you jokingly ask her who
should appear in the movie version – that it should be you.
· *
A family
living at a restaurant/motel in the middle of the Nevada desert, the
eight-year-old daughter of which tells you when her parents aren’t around that
on weekends dad likes to get drunk and blow up the wrecked cars out in back
of their isolated business.
· *
An interracial couple – she is Filipino and he
is African-American – who are having a June wedding. At the wedding reception,
his father tells you he is disappointed his son is marrying “outside the race.”
· *
A rather famous movie star who has just written
a rather New Ageish book in which she writes that whatever happens to people is
their own fault. You consider asking her about the six million Jews lost in the
Holocaust.
· *
A nun as part of a story about a neighborhood
that is undergoing a rash of burglaries. One of the buildings in the
neighborhood is a convent for nuns who work in the community as teachers and
social workers. After talking about precautions any sensible homeowner should
take, she pauses and then explains that she was raped some years ago and makes
some suggestions about how women might avoid situations in which that might
occur.
· *
Construction workers on a downtown highrise who
explain in some detail how they like to “party hearty,” with considerable
detail about how much alcohol this requires many nights after work.
What do you do?
Monday, November 05, 2012
Reflecting
Re-writing my journalism assignment on a talk given by Dr. Joy Ladin, I found myself very intrigued by the intersection of gender, sexuality and religion. For my final paper I am going to be taking a very different approach to looking at the same intersection. Rather than transgender identity and Judaism I will be looking at youth college student identity and Catholic school, USF.
It is so cool how all of my classes seem to be overlapping this semester and I am really looking forward to the body of work that it is going to produce for me as a reflection on my last semester as a college student.
Here is the assignment I have written and submitted about Dr. Joy Ladin:
It is so cool how all of my classes seem to be overlapping this semester and I am really looking forward to the body of work that it is going to produce for me as a reflection on my last semester as a college student.
Here is the assignment I have written and submitted about Dr. Joy Ladin:
She’s
the Man
“My kids call me daddy”, Dr. Joy Ladin said,
talking about her young children since she made the transition from man to
woman in 2007. After feeling trapped in the wrong body for decades, Ladin changed
everything. “I was a good man”, she said. Though, to her, that meant being a
bad person. On October Second, Ladin, English Professor at Yeshiva University
and author of seven books, spoke to USF students about her relationship with
herself, her God, and the world, reading excerpts from her autobiography and
creating a dialogue with the audience, as well.
Growing up as a Reformed
Jew, Ladin said she was drawn to Orthodox Judaism and felt a special
relationship with her version of God and the Jewish scriptures of the Torah. She
is the first openly transgender person to be employed by an Orthodox Jewish
institution. To many, her transgendered-ness and Judaism are mutually
exclusive, yet Ladin read and continues to read the Torah, her way. While the
Talmud, Torah and Judaism itself, alienated her, it also comforted her a great
deal. She said that a lot of trans children feel a closeness to God because God
has no physical body, so the sense of being created in the image of God really
resonated with her. Also, she believes that since God made her, she is
therefore accepted for who she is and especially who she is not.
Ladin
said: “after being a persona, I wanted to become a person”. She understands her
transition in terms of learning and becoming fluent in a new language. That
language is gender, the way people understand who they are in relationship to
themselves and the world. She quoted the Talmud, saying: “If I am not for
myself, then who will be for me?” This helped her realize that she could never
actually be in a state of being until she was for herself and truly became the
woman she always knew herself to be.
The transition
that she eventually made after marrying and fathering two children, was far
from resolving the “problem” of finding a self-identity. “I had to remake
myself in the eyes of others”, she said, explaining how difficult this can be. Gender
is indeed, a performance with many parts. For instance, becoming the woman she
always knew herself to be, meant changing the clothing that she wore everyday,
shaving her facial hair and speaking with a different tone of voice.
When a student
asked her if she had changed her genitals to fully become a woman. Ladin
responded: “It’s important for me to not answer”. She acknowledged that it was
a good question and a typical one, but not natural or fair. She explained that
when she made her transition, she felt as though it was a trade for her right
to having a private self.
It
has not exactly been easy for her family, either. Ladin’s nine year-old does
not want ‘daddy’ to come to her school because she does not want to have to
explain why daddy identifies and dresses like a woman, to her friends. Ladin
does not regret or wish that she were born a woman in the first place. “If it
had been any other way, they wouldn’t exist”, she said of her children.
Her autobiography,
Through the Door of Life: A Jewish
Journey between Genders, explains that if identity is a combination of
being and becoming. While others spend a lot of time being and very little,
becoming, she said she is “always going to be a process of becoming with a
little bit of being mixed in”.
Tuesday, September 11, 2012
Saturday, September 08, 2012
Thursday, September 06, 2012
How cool and interesting! UNICEF is helping to start and support a Children's News Service that will help children understand the basics of journalism while also providing the news information.
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Wednesday, September 05, 2012
Here's a Nice-and-Easy Blogging Assignment
In the comment section, add a question or two you'd like next week's journalism panel to answer.
Tuesday, August 23, 2011
Monday, August 22, 2011
A Media Studies/Journalism Student Reports from the Field
I can't remember when I updated you last, but in January I got hired as a Legislative Aide for a law firm in Minneapolis. I helped their Gov Relations team at the state capitol throughout the legislative session - sitting in on committee hearings, writing client reports, tracking bills. It was great experience, as I'd never done legislative work before. When session ended in May, the firm asked me to stay on. I've been doing a bit more administrative work since then, but they give me political stuff when it comes up (since session is over it's not as busy). I think it's a good place for right now - it's full-time with benefits, so even the office work is worth it. Plus, I'm meeting good people and they've said they don't want to lose me - so maybe I can get back to the capitol again next year. As for the skills I was taught at USF that have come in handy at work - everything! But I would say specifically the journalism courses because a big part of the legislative work I did required good writing skills; it was the main thing the firm looked for and I had to submit writing samples. So although I'm not reporting, I did have to be able to follow complex issues at the Capitol and write about them for clients in a way that made sense to people who didn't follow politics on a daily basis. An interesting story on social media: A Repub state senator here in MN used Twitter to post what a Dem senator had said during a floor debate on budget issues - the only problem was, the Repub completely misquoted her colleague and it become a huge controversy because the Twitter post had the Dem saying negative things about the disabled (which never actually happened). It was taken up by the Senate Ethics Committee and got lots of media attention. Just another reminder about the potential pitfalls of social media, if used carelessly. |
Tuesday, August 09, 2011
Thursday, May 05, 2011
Wednesday, May 04, 2011
Tuesday, May 03, 2011
Monday, May 02, 2011
How to Shoot a Basic Net-Quality News Video
Borrowed from the Knight Citizen News Network
Plan the shoot before you go out: Just like the elements of a good news story that are second nature to you (background, quotes from more than one source, documentation), there are basic elements of a shoot you will need to construct an interesting video story. You need a mix of shots:
A good mix would be 25 percent wide-angle, 25 percent close-ups and 50 percent medium or mid-range shots.
For a breaking news event like a highway crash or a school shooting, you probably won’t get to the scene in time to capture the actual action. However, the reaction from witnesses and investigators as well as footage of the scene are well worth capturing.
Press conferences (if they are tied to compelling news events or delivered by news figures) can make good video and are about the easiest to shoot. You have a fixed subject and the lighting will be good (especially if there are TV cameras around).
Highlights clips, especially in sports, can be among the most popular content on any news site. Shooting sports video can be challenging, however. The constant movement of the subjects requires large capacity in the digital video file and can be hard to follow once the video is downsized and compressed for Web display. As a result, short clips of the best action is the way to go, either edited together with voice-over descriptions or linked to a news story as raw clips with caption information next to the link.
The Tri-City Herald in Washington state purchased one of the cameras in January 2007 and deployed it within a couple hours. A reporter shot a video interview and published it on the site the same day. Web site director Andy Perdue had this to say about the trial:
Documentary-style video story
The best way to make a solid video story is to think about it the same way you think about writing a story. Indeed, it’s critical to think about how the video will “tell the story.” Once you envision what the story should “say,” it’s simply a matter of filling in the spots with the most appropriate footage. Here’s how.Plan the shoot before you go out: Just like the elements of a good news story that are second nature to you (background, quotes from more than one source, documentation), there are basic elements of a shoot you will need to construct an interesting video story. You need a mix of shots:
- Wide-angle—These shots, also known as “establishing” shots, give viewers a sense of the environment, so shoot the outside of the building or back up and shoot the entire room.
- Medium—Somewhere in between wide and close-up, these shots are the ones you are probably most comfortable shooting.
- Close-ups—These shots zoom in on who’s talking or what they are talking about. Remember: Always zoom first, then record, instead of recording and zooming at the same time.
A good mix would be 25 percent wide-angle, 25 percent close-ups and 50 percent medium or mid-range shots.
Breaking news/highlights/clips style video
For these types of video, you rarely know what the “story” will be in advance. You simply know that news is happening or has happened and you want to capture some essence of it on video.For a breaking news event like a highway crash or a school shooting, you probably won’t get to the scene in time to capture the actual action. However, the reaction from witnesses and investigators as well as footage of the scene are well worth capturing.
Press conferences (if they are tied to compelling news events or delivered by news figures) can make good video and are about the easiest to shoot. You have a fixed subject and the lighting will be good (especially if there are TV cameras around).
Highlights clips, especially in sports, can be among the most popular content on any news site. Shooting sports video can be challenging, however. The constant movement of the subjects requires large capacity in the digital video file and can be hard to follow once the video is downsized and compressed for Web display. As a result, short clips of the best action is the way to go, either edited together with voice-over descriptions or linked to a news story as raw clips with caption information next to the link.
Other important tips to remember:
- Be selective in shooting. There are two good reasons for this: You don’t want to waste tape and you don’t want to waste time editing.
- Avoid panning, zooming. Stop recording when switching between wide, medium and close shots. Avoid zooming and panning if possible. Simply shoot a shot, stop recording, then adjust for the next shot and hit record again.
- Hold your shots. Since you can make a shot shorter in the editing process—but not longer—make sure to hold each of your shots for at least 15 seconds. Even if it’s a wide environment shot that you’ll likely use for 5 seconds, shoot the full 15 seconds. You’ll be glad you did.
- Be silent when you shoot. The camera will pick up every sound you make—a sigh, a cough, a chuckle or anything you say. So keep your lips zipped when recording because you won’t be able to edit out the unwanted audio later.
- Frame your subject carefully. When framing your shot, it is best to avoid a static composition by keeping the main subject slightly off center. To do this consistently, follow the “rule of thirds,” which recommends dividing the frame, using imaginary lines, into thirds both horizontally and vertically. If you position your main subject (usually a face) near one of the intersections of these lines, you will achieve a pleasant, active composition.
- Seek the best short clips. Understand that the best video stories are comprised of many short clips edited together, and your job is to get the best short clips. The best way to fully comprehend the array of clips you need to capture is to actually perform the editing—or at a minimum sit with the person who edits the video. It’s the only way to see what types of clips you shot work best and what types of clips you missed.
As simple as it gets
A company called Pure Digital has released a new line of video cameras that make shooting basic video as easy as recording a conversation on an old microcassette recorder. The device is small and basically “idiot-proof” since it only has buttons for play, record, stop, forward and back. It has to be hand-held and doesn’t zoom, so it’s only appropriate for basic videography, like shooting the subject of a story so the audience can see and hear the person talk and sense their personality.“Was this video compelling? Not particularly, but it wasn’t bad. It provided a voice and face to the story, and it offered a multimedia element. It was no worse than what most local TV news stations offer at 6 and 11 p.m. Perhaps of greatest significance, our newsroom embraced this technology in record time: 2.5 hours!”The version of the Pure Digital camera that holds 30 minutes of video sells for $129 at national retailers like Target and Best Buy (as of January 2007). There is also a 60-minute version for $179. “We plan to purchase one or two of these per month throughout the year and deploy them in our bureaus as well as in the newsroom,” Perdue said.
Do a trial run
If you are interested in learning to shoot video, get comfortable before heading out on assignment. Shoot some footage at home of your family or friends and experiment with different types of shots. Practice capturing a mix of shots, using different types of microphones, using a tripod and lighting. Shooting basic video is not difficult but, like most new technology, takes some getting used to.Assignment:
- Watch your favorite local TV news station.
- Try to mimic shots you find effective.
- Compare news stations.
- Look for the rule of thirds.
- Be a critic; it will help you improve.
Saturday, February 12, 2011
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